Lost in The Multiplex

The Rum Diary

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  • Director Bruce Robinson
  • Starring Johnny Depp, Giovanni Ribisi and Aaron Eckhart
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    Journalist Paul Kemp (Johnny Depp) travels to Puerto Rico to escape the American life. He starts writing for a run-down newspaper, The San Juan Star, with stressed out editor Lotterman (Richard Jenkins), fellow journalist Bob Sala (Michael Rispoli) and office drunk Moburg (Giovanni Ribisi). Kemp gets in the habit of drinking too much rum and falls in love with the beautiful Chenault (Amber Heard), fiancée of businessman Sanderson (Aaron Eckhart).

Based on a novel by Hunter S. Thompson, The Rum Dairy was written in the early 1960s but wasn’t published until 40 years later. It took nine years for the film adaptation to get off the ground (with things starting properly in 2009) and then another two years for it to reach our screens. In total, it took 51 years. The film regretfully suffers from this lengthy process, becoming a drag itself.

The Rum Diary is director Robinson’s first film in 19 years. Whilst the film is visually attractive, with a lot of the focus on the 1950s Caribbean setting, it is also quite dark. In between the pretty back drops and the humour derived from Depp, the story is dull and uninteresting.

Admission: I haven’t read the book, but I expected a light-hearted, tropical drama about a journalist who drinks a lot of rum - it isn’t what I got. When discussing the film on Twitter a friend told me that, “The book is short, light and breezy.” The film is quite the opposite. As opposite as you can get. It wasn’t short at all - in fact the 120 minutes seemed double that, and it definitely wasn’t breezy.

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There are many faults. One of the main ones is the use of Chenault’s character. The book describes her as follows: “She had a hard little body and a way of walking that indicated a mass of stored up energy.” She’s clearly written as a tease and whilst the film reflects on this well enough, it is also quick to forget about her at the end of proceedings.  She flirts and teases throughout, but after coming close to finally bedding Kemp, she isn’t seen again until briefly being mentioned in the epilogue.

Chenault is an object of a desire, and maybe that’s the only reason we need as to why we don’t see any more of her. If she is merely an object, her character isn’t important when her teasing stops and she falls for Kemp in return. But whilst that might make for great literature, the film needed to see more of this lust and it needed to end with romance. For that reason alone, she doesn't serve as an important character, losing her integrity and thus closing the feature unsuccessfully.

Not bad - but one for a rental, rather than a trip to the flicks.

Charlie Derry

Charlie Derry

Charlie Derry is a Journalism student currently living in Falmouth, Cornwall. Brought up reading Harry Potter, this was the start of her love for literature and soon enough their adaptations onto the big screen. Now with an aspiration towards writing about film, Charlie spends a lot of her time writing for her personal blog and for various university projects.

Website: charliederry.wordpress.com

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