Lost in The Multiplex

Perfect Sense

You Say
(2 votes)
  • Director David Mackenzie
  • Starring Ewan McGregor, Eva Green, Connie Nielsen
  • We Say alt
  •  
    Art house does end of the world. A chef and a scientist fall in love as an epidemic begins to rob people of their sensory perceptions.

Ewan McGregor and Eva Green chain-smoke their way through the plot as the tortured-soul leads, Michael and Susan. The film's beginning is promising, as the Glasgow-based narrative cuts away to shots from around the world of people simply living life, while emphasising food, work and disease amongst other themes. Chef Michael has intimacy issues and epidemiologist Susan is unlucky in love. It's not long after the initial outbreak of "severe olfactory syndrome" (which would struggle to sound any more meaningless) that the two cross paths and fulfill the prerequisite new-love-in-uncertain-times quota.

Perfect Sense is paced well enough to give due time to the failing senses and the emotions that might accompany them. With a tinge of sci-fi, the mysterious disease that becomes a pandemic is left totally unexplained beyond shots of dictators and extremists whilst narration explains how different groups believe it to be caused by different ideologies. This would be acceptable where the actual delivery of the symptoms not so patently absurd. Having staggered the onset for loss of smell across his fictitious world, Mackenzie brings on loss of taste, seemingly all at once for everyone, to laughable results. He does make pause for some gratuitous nudity and sex scenes that feel like an attempt at tasteful titillation for the sheer sake of it.

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Once the senses of smell and taste have abandoned mankind and the case is made for moving on and living life, the film begins to feel like some underhanded propaganda tool for big tobacco as Mike and Susan extol the virtues of still being able to enjoy a cigarette. It's only following the loss of the senses that smoking doesn't deteriorate that humans around the world truly begin to panic and spiral out of control. It's certainly a bizarre message that underlies the evolutionary tale of adaptation for survival.

Perfect Sense contains a lot of promise in its premise and the way it presents the outbreak across the world. With a chef as a central character, it allows for exploration of how important smell and taste are in life and how, as a collective, we might move beyond it if need be. Otherwise, the film stumbles and fumbles its way to the finish line. Being an epidemiologist, Susan manages to do little other than inform the viewer of exactly what is happening and how unexplainable it is and Green brings little to the role beyond her willingness to strip down. Breaking occasionally for aforementioned narration, Perfect Sense tries too hard for a contemplative tone which ends up feeling cheaply manufactured. Different techniques are employed to convey the loss of senses, but even this has been done better elsewhere (see Julia's Eyes for a fantastic example). 

When the predictable final scene arrives, it's none-too-soon.  By the end of its 90 minutes, Perfect Sense will likely leave a bad taste in quite a few mouths.

Jeff Galasso

Jeff Galasso

Jeff Galasso is a London-based film enthusiast whose earliest memory is being terrified of a man in an ET suit at a local shopping centre. Spending his free-time in screening rooms all across London, Jeff leads a dual life, split between a job that pays the bills and all things cinematic, his true passsion. Yes, rest easy cinema-goers, the London Film Fanatiq is here to save your weekend.

Website: www.londonfilmfanatiq.com

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